Had reason and right feeling ruled Creon, he would have seen that Antigone was perfectly justified in disobeying his edict: She says that she fears, not men's condemnation, but penalties from the gods if she does not act The painful evils that beset her life the loss of mother, father, and brothers make death a gain in her eyes By contrast, if she had left her mother's son unburied, she would have grieved She expects to win glory for her gesture to the gods.
He has not said at all that one Antigone believes that the unwritten and natural law supercedes any form of human written law. It might be plausibly maintained that from the first Creon was wholly in the wrong, and Antigone wholly in the right. He also wants Thebes to be a great city.
Polyneices' sister, Antigone, upon hearing this exclaims that an improper burial for Polyneices would be an insult to the Gods. She is obstinate in her beliefs, and throughout the play refuses to listen to advice.
Furthermore, pride is strongly evident in Creon making him an even better example of the male stereotype. Through this threat, Creon eliminates any sort of relationship he had had with Haimon, which can never be mended.
Instead reason and responsibility are the essential points. The young man had fallen in the act of committing the most heinous crime of which a citizen could be guilty, and Creon, as the responsible head of the state, very naturally supposed that exemplary punishment was the culprit's rightful due.
He would rather sacrifice his relationships with his nieces and his son than acknowledge his own faulty logic. Ismene says "We must obey them They unknowingly agree with each other on a certain level; each understands that laws without leadership, be they mortal or divine, are not enough to base a government on.
Why or why not. And Antigone and Creon are rigid and extreme because of certain features of their own character or familial and political situation. However, when Creon went to free Antigone, he found that she had committed suicide by hanging.
Does she deserve her fate. The choral odes, so vital to Sophocles' purpose, have never been rendered with finer energy and insight.
Her beliefs in "The sacred laws that Heaven holds in honor" are far more important than those set by the king Antigone The bold, tradition-braking character of Antigone clearly clashed with the ovepowered, male dominant personality of Creon.
Haemon calls Creon stubborn and proud. She feels that the king cannot override her belief in the gods. Antigone is a woman who firmly believed in humanly burying a dead body and whose actions changed the course of Thebian history.
He failed to recognize that keeping an open mind does not mean accepting every idea, only considering them, and that one is not weak-minded to do so.
Creon is insulted by this and defends his absolute authority. An Interpretation of Sophocles, and Oedipus Tyrannus: Even though Antigone exhibits a blamable pride and hunger for glory, her vices are less serious than Creon's.
He had had no divine intimation before that his edict was displeasing to the Gods and against their will.
It might be maintained that the whole play centers on a beautiful martyr in a beautiful cause, and that Creon is merely the means of bringing about her triumph and apotheosis; or it might be contended that Sophocles had no moral purpose at all, and that the whole play is merely an exquisite work of art.
It is precisely this loyalty that makes her an active rather than a static figure. Creon thought he was doing the right thing as a King, but all he was doing was hurting himself and his family. Sophocles aims to teach us that we can escape tragedy only by embracing moderation.
Oedipus' brother in law Creon then assumes the throne. He says that reason is the gift of the gods, and he cautions Creon not to be single-minded and self-involved, noting that there is no such thing as a one-man city.
Antigone, it must be remembered, belonged to a doomed family, and her conduct is regarded throughout by the Chorus as an act of infatuation urged on her by the curse resting on that family: Creon believes that Polyneices' body shall be condemned to this because of his civil disobedience and treachery against the city.
When religion and government are in conflict, should human beings be obliged to the unwritten rules of an arguably existent spiritual entity over the expressed will of the leader of their chosen government.
The central purpose is obviously the relation of the law which has its sanction in political authority and the law which has its sanction in the private conscience, the relation of the obligations imposed on human beings as citizens and members of the state, and the obligations imposed on them in the home and as members of families.
Honor and a principled responsibility to gods and family are given equal weight in her self-defense. Creon believes that if he changes his decree, his subjects will see him as a weak ruler, therefore he is unwilling to listen to the reasoning of his son.
Her thinking is unassailable — of course the dead have burial rights, a basic decency upheld by long tradition. This explains why he does not respond accordingly with the reasoning of the guard, Tiresias the prophet, Antigone, her sister Ismene, or even his own son Haemon.
While Oedipus, though estranged, is still alive, it is no longer possible for her to be granted another brother from the same set of parents, therefore the bond would not be as strong. reminded that the main argument lies between a male authority figure and a female dissident.
• Ismene brings up the issue first, acting as a foil to Antigone, in the opening. between Creon and Antigone, it also permeates the positions of all other characters and surfaces again and again in the language of the play.(1) This tragedy, as Hans-Thies Lehmann states, "transforms the articles and foundation of law into questions, certainty into risky.
Here you see the father murdering, the murdered son- and all my civic wisdom! Creon > Choragos. Lead me away. I have been rash and foolish. The action of the play begins immediately with a conflict between Antigone and Ismene.
What is the cause of the conflict? How does Sophocles tell us what happens to Antigone, Haimon, and. Conflicting Values in Antigone, Free Study Guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information, character profiles, theme analysis, metaphor analysis, and top ten quotes on classic literature.
Aug 07, · Sophocles' play, first staged in the fifth century B.C., stands as a timely exploration of the conflict between those who affirm the individual's 3/5(2).
Sophocles' play "Antigone" illustrates the conflict between obeying human and divine law. The play opens after Oedipus' two sons Eteocles and Polyneices have killed each other in a .Sophocles antigone conflict between civic authority