Scarlett O'Hara is a fascinating character, a willful spoiled brat who stubbornly endures a harrowing war experience. The bird-brained Prissy Butterfly McQueen is enormously entertaining -- what an original talent -- but not an image that modern black Americans will tolerate.
For many Americans Gone With The Wind is the movie that best represents the glory of a mythical Hollywood long since passed, the kind of movie 'they don't make any more'.
Viewers unfamiliar with what passed for appropriate presentation of blacks in Hollywood films of the 30's can be quite surprised to see Gone With The Wind's feeble-minded Prissy Butterfly McQueenand the contemptous presentation of Reconstruction blacks as the puppets of evil Carpetbaggers.
To the delight of Margaret Mitchell fans, it managed to encompass the book's dramatic arc, even with some jarring ellipses in the second half. Also untypical of Hollywood, Gone With The Wind used its length to fully develop a large cast of complex characters.
Casting Scarlett Having secured the popular choice to play Rhett Butler, Selznick searched, very publicly, for a suitable actress to play the plum role of Scarlett O'Hara. A manipulative woman and a roguish man conduct a turbulent romance during the American Civil War and Reconstruction periods.
And one has to admit that the avoidance of a responsible Northern viewpoint doesn't hurt the movie one bit.
Once the author gets to the early s, the book really takes off, develops a more fluid narrative, and is a great read. Gone with the Wind Clark Gable and Vivien Leigh 'Gone with the Wind' is a monumental, historical romance, set in the American South, telling the story of the American Civil War and its aftermath from the viewpoint of a Southern family.
The general run of 30s literature had more than its share of screamingly hateful racist attitudes, but the movies usually dialed it down, at least to some degree. Gable, in the role which would come to define his legacy as a screen legend, never seems to be acting at all in the role, offering a naturalness and roguish glint in the eye to go with his mustachioed good looks.
Although Rhett is clearly attracted towards her, Scarlett vows that he will never win her. Gone With The WInd is above all wonderful entertainment, handsomely produced, and another of those classics, like Casablanca, which proves that some of the best films are born out of collaboration and chaos.
Scarlett is the equal of the marvelously virile Rhett Butler, a gentleman knave who claims to care only for himself yet shows an expected streak of nobility when his back's against the wall.
The results were spectacular. It makes you realize how hokey Titanic is in comparison. If not for them, the film would probably still be shooting today.
The enormous quantity of light poured onto the set gives eyes a stunning glow; simple raindrops on a window become rows of luminescent jewels chapter 17 Because the bulk of the extras were on a second disc in the fancier set, the only goodie present here is Rudy Behlmer's exhaustive commentary.
The audio for the feature seems to be mastered at a rather low volume. Why is this an important character strength. Hydewith Spencer Tracywas generally rated below Rouben Mamoulian 's pre-code version, which had starred Fredric March. Challenging the film on the basis of its dated racial content quickly takes the discussion far afield from the film itself.
Menzies' crucial contribution, often overlooked, was to mold the vision of Gone With The Wind's multiple directors and writers into a coherent whole. Look at GWTW and you'll soon realize that most wide interior views use matte paintings to finish walls and add ceilings, sometimes when just building a ceiling would have been easier.
Gone With The WInd is above all wonderful entertainment, handsomely produced, and another of those classics, like Casablanca, which proves that some of the best films are born out of schmidt-grafikdesign.com?ID= An excellent biography of Victor Fleming who was most famous for directing Gone with the Wind and the Wizard of Oz.
Authorized by his daughters who were extensively interviewed for the book, this covers the life of a true American Master of the Film world. · Michael Sragow puts Victor Fleming, the director of “The Wizard of Oz” and “Gone With the Wind,schmidt-grafikdesign.com Review: Gone With The Wind - | Four Word Film Review.
GUESS THE FILM. Cooper gets tic'ed off. Search films. Search artists. Search reviews. Search reviewers. Gone With The Gone With The Wind Drama / Romance / War. IMDB. Reviews. Directed By Victor Fleming George Cukor Written By Margaret Mitchell Sidney schmidt-grafikdesign.com?FID= · Hollywood's all-time grandest epic, Gone With The Wind is a key milestone marking the beginning of modern cinema.
The adventures of a headstrong southern belle before, during, and after the Civil War are given a luxurious treatment that has withstood the test of time with remarkable schmidt-grafikdesign.com Gone with the Wind () Directed by Victor Fleming Starring: Vivien Leigh, Clark Gable, Thomas Mitchell, Hattie McDaniel.
This classic film was nominated for thirteen Oscars and schmidt-grafikdesign.comA review of gone with the wind a film directed by victor fleming